Here's another post in a series on simplifying chords for soloing. This is not rocket science, so advanced players don't need to read it. Lockdown has been a good time for revisiting standards that I learned in my jazz infancy and haven't reconsidered since. Tunes for which I worked out an approach based on my … Continue reading The pitfalls of Fake Books
In my last post (You Can Constructively Ignore Harmony) I talked about simplifying harmony by removing unnecessary chords. Often people use pentatonic scales to reduce the complexity of a scale. The removal of notes from a scale makes a stronger, more defined sound. In this post I'll talk about simplifying approaches to dominant chords by thinking … Continue reading A Simplified Approach To Soloing On 7b9
Following on from yesterday's post Too Much Harmony?, a good approach to learning to solo on a standard would be to have in your mind a version for soloing that weeds out as many chords as possible, leaving only the most important. So taking the first 8 bars of I Thought About You as an … Continue reading You Can Constructively Ignore Harmony
Here are some things that I aspire to do when learning / practising specific melodies or solos for guitar. I wish I could remember to do these things all the time. Some of them apply to other instruments (particularly piano) and other activities (like drawing, handwriting). This is not advice for other people because everyone … Continue reading How I learn material for the guitar, or No Pain, Good.