In my last post (You Can Constructively Ignore Harmony) I talked about simplifying harmony by removing unnecessary chords. Often people use pentatonic scales to reduce the complexity of a scale. The removal of notes from a scale makes a stronger, more defined sound. In this post I'll talk about simplifying approaches to dominant chords by thinking … Continue reading A Simplified Approach To Soloing On 7b9
Following on from yesterday's post Too Much Harmony?, a good approach to learning to solo on a standard would be to have in your mind a version for soloing that weeds out as many chords as possible, leaving only the most important. So taking the first 8 bars of I Thought About You as an … Continue reading You Can Constructively Ignore Harmony
When I was at best an improver at jazz, a tutor who I very much respected told me that he was hearing too much harmony in my solo playing. My first reaction was surprise – how could you possibly have too much harmony? Wasn't that what we'd been taught to do? Play through the changes … Continue reading Too Much Harmony?