Here's another post in a series on simplifying chords for soloing. This is not rocket science, so advanced players don't need to read it. Lockdown has been a good time for revisiting standards that I learned in my jazz infancy and haven't reconsidered since. Tunes for which I worked out an approach based on my … Continue reading The pitfalls of Fake Books
Category: Scales and fretboards
A Simplified Approach To Soloing On 7b9
In my last post (You Can Constructively Ignore Harmony) I talked about simplifying harmony by removing unnecessary chords. Often people use pentatonic scales to reduce the complexity of a scale. The removal of notes from a scale makes a stronger, more defined sound. In this post I'll talk about simplifying approaches to dominant chords by thinking … Continue reading A Simplified Approach To Soloing On 7b9
The first four bars of Triste
The first four bars of Triste I've been revisiting the first four bars of Triste by AC Jobim. What is going on there? The original (on the album Wave, 1967) is in A, and not Bb as it is usually played by the people I play with. Fair enough, A is an atrocious key for … Continue reading The first four bars of Triste
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